Raj Kapoor by Vimal Verma
Listen, I was scrolling through the chaos of the internet the other day, and I stumbled across this meme that hit me like a monsoon downpour: “Zindagi sirf ussi ki set hai jiska baap ka danda hai.”
Translation? Life’s only sorted for those with rich parents pulling the strings.
Oof. It’s the kind of cynical jab that makes you laugh, then wince, because it’s half-true but misses the whole damn point. Money isn’t just about who’s got the fattest wallet or the shiniest luck—it’s about what you do with what you’ve got, and Bollywood, of all places, has been screaming this at us for years.
Then there’s this Kabir doha I came across, like a quiet slap to the face: “Bada hua to kya hua, jaise ped khajoor / Panthi ko chhaya nahin, phal laage atidoor.”
In other words, what’s the point of being a big shot, like a towering date palm, if you’re too lofty to offer shade to the weary or share your fruit? Kabir’s calling out the hollow flex of wealth without generosity, the kind of greed that leaves you tall but useless. It’s a vibe check for the soul, and it’s got me thinking about how Bollywood’s larger-than-life stories—those masala-fueled, song-and-dance spectacles—actually drop some serious truth bombs about money, luck, and what it means to live a life that matters.
Let’s talk about what the movies teach us, because Bollywood’s got a knack for dressing up life lessons in glitter and melodrama. Sure, sometimes it’s all slow-motion hair flips and villains with questionable mustaches, but beneath the theatrics, there’s wisdom about money that’s worth more than a Swiss bank account. And no, I’m not just going to nod along with every trope—I’m here to unpack the good, the bad, and the downright absurd.
Luck’s a Player, But You’ve Gotta Show Up
Bollywood loves a good rags-to-riches tale, and it’s tempting to chalk it all up to luck. Take Slumdog Millionaire (2008)—yeah, I know, it’s a Danny Boyle joint, but it’s got that Bollywood heart.
Jamal, a kid from the Mumbai slums, lands on Kaun Banega Crorepati and wins big because every question miraculously ties to his hard-knock life. Luck? Sure, the game show gods are smiling on him.
But let’s not kid ourselves—Jamal’s not just sitting there waiting for destiny to hand him a check. He’s hustling, surviving, and carrying a heart full of grit and love for Latika. The movie’s screaming: luck only works if you’re in the game, ready to seize it.
Or look at 3 Idiots (2009).
Rancho, our lovable rebel, isn’t chasing money—he’s chasing passion, knowledge, dil se dil take. His mantra, “All is well,” isn’t about waiting for a lottery ticket; it’s about trusting yourself and working your ass off. When he builds that makeshift generator to save a baby during a monsoon, it’s not luck—it’s preparation meeting opportunity.
Bollywood tells us luck’s a spark, but you’ve gotta be the kindling. If you’re sitting on your couch, dreaming of a windfall while binge-watching Yeh Jawaani Hai Deewani, you’re missing the plot. Get up, take a risk, and maybe, just maybe, the universe will toss you a bone.
Greed’s a Trap, and Kabir Called It
Remember Kabir’s doha? The date palm’s got nothing for the weary traveler—no shade, no fruit, just ego.
Bollywood’s got its own version of this warning.
In Guru (2007), Gurukant Desai’s rise from village boy to industrial tycoon is a masterclass in ambition, but it’s also a cautionary tale. Guru’s got hustle for days—starting with nothing, he builds an empire through sheer will and some shady deals. But as his wealth grows, so does his greed, and soon he’s cutting corners, bribing officials, and losing sight of the scrappy dreamer he once was.
The movie doesn’t judge him outright—Abhishek Bachchan’s charm makes you root for him—but it’s clear: money without integrity is a hollow victory. Like Kabir’s date palm, Guru’s towering success starts to feel barren when it’s all about him and not the people around him.
Contrast that with Taare Zameen Par (2007).
It’s not a money movie on the surface, but it’s got this quiet lesson about value. Ishaan’s parents are obsessed with academic success, thinking it’s the golden ticket to wealth and status. But Ram, the art teacher, shows them that real wealth is in nurturing what makes you human—creativity, heart, connection.
Money’s nice, but if you’re chasing it at the expense of your soul, you’re just a tall tree with no shade to offer.
Friends: The Real Currency (Sometimes)
Bollywood’s big on dosti, but it’s got a messy take on whether friends are your lifeline or a liability. In Dil Chahta Hai (2001), Akash is the guy who thinks he’s got life figured out—cool job, slick suits, zero commitments. But when his smug little world cracks—falling for Shalini and screwing things up with Sid—it’s his friends who pull him through. Sameer’s there with his bumbling heart, Sid with his quiet, punch-you-in-the-soul wisdom.
They hand him a mirror to see his own bullshit, helping him grow up and chase love, not status. The movie’s saying: friends are your real currency, the ones who stick around when your heart’s broke and your ego’s bruised.
But then there’s Race (2008), where friendships are about as stable as a house of cards in a storm.
Ranvir and Rajiv are brothers and supposed besties, but money turns them into backstabbing snakes.
The lesson? Not every friend’s got your back when rupees are on the line. Bollywood’s telling us to choose our crew wisely—find the ones who’ll split their last roti with you, not the ones eyeing your wallet.
Emotions: The Wild Card in Your Wallet
If Bollywood’s taught us anything, it’s that emotions drive the money train—for better or worse.
In Bajrangi Bhaijaan (2015), Pavan’s heart is bigger than his bank account. He’s a simple guy, scraping by, but when he finds Munni, a lost Pakistani girl, he spends every penny he’s got to get her home. Logic says he’s nuts—blow your savings on a stranger?
But his heart says otherwise, and by the end, he’s richer in love and purpose than any tycoon. The movie’s not saying be reckless, but it’s a reminder that money’s just a tool. If you’re spending it in ways that align with your values, you’re not poor, no matter what your bank statement says.
On the flip side, Baazigar (1992) shows what happens when emotions like revenge and obsession take the wheel. Ajay’s so consumed by his vendetta that he manipulates, scams, and kills to climb the money ladder. Shah Rukh Khan’s electric performance makes you almost cheer for him, but the body count’s a stark reminder: when emotions cloud your judgment, your financial choices can crash and burn.
The Billionaire Flex: Does It Even Work?
Okay, let’s talk about that meme again—zindagi sirf ussi ki set hai jiska baap ka danda hai.
It’s the Bollywood equivalent of Batman buying the bank to save his house in that Hollywood flick. Sounds cool, right? Like something a Kabhi Khushi Kabhie Gham tycoon would pull. But let’s be real: buying a bank to save your mansion isn’t just impractical—it’s a scriptwriter’s wet dream.
In Bollywood, we see this kind of flex in Singham (2011), where the villain, Jaykant Shikre, throws money around like confetti to control everyone. Does it work? Sure, until Singham’s fist meets his face. The lesson? Money can buy power, but it’s a shaky foundation if you’re just flexing to hide your insecurities.
Compare that to Swades (2004).
Mohan Bhargava, a NASA scientist with a cushy life, could’ve played the billionaire card, throwing cash at problems back home. Instead, he invests his heart and skills in his village, building a power plant with sweat and community spirit.
Money’s a means, not the end. Kabir would approve—Mohan’s no date palm, hoarding his fruit. He’s sharing the shade.
So, What’s the Big Takeaway?
Bollywood’s money lessons aren’t about getting lucky or having rich parents (sorry, meme). They’re about showing up, staying true to your heart, and knowing that wealth isn’t just rupees—it’s the people you lift up, the passions you chase, and the integrity you hold onto.
Luck’s a factor, sure, but it’s not the whole story.
You’ve gotta hustle like Rancho, love like Pavan, and share your shade like Mohan. Because, as Kabir reminds us, a life spent towering over others without giving back is just a tall, lonely tree in the desert.
So, next time you’re crying through a Bollywood climax or cheering a hero’s triumph, ask yourself: What’s this teaching me about money, about life? Then go out there and live like you’re the star of your own damn movie. Just maybe skip the slow-motion hair flip.
Love,
Maddy
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